For those willing to pay their dues and play the blues, these licks are a rite of passage and a continuous source of inspiration. There was a problem. I love the groove and his feel is just magical. Spoonful is a blues song by Willie Dixon that was first recorded in 1960 by Howlin’ Wolf. Categories: Advanced, Banjo, Intermediate, Skills. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right away. This note is the high e string and also the root note of the E minor and the E major pentatonic scale, which makes it perfect to use as a glue to form one compelling blues lick out of the two smaller licks. guitar – Aberdeen by Della Mae YOUTUBE. Example 2. Considered by many to be the first electric guitar hero, Mike Bloomfield favored tangy bends like the one shown in FIGURE 9 in Don’t Throw Your Love on Me So Strong and I’ve Got a Mind to Give Up Living. Often recorded in educators’ home studios, these products present fresh educational concepts and … In any form of music, some melodic ideas sound more at a home than others. The blues lick below seems very easy at first but should not be underestimated rhythmically. This particular example, with a root-4th (A–D) dyad thrown in, was used by the underrated Lonnie Mack in Down and Out. Breaking free momentarily from the tyranny of the scale, FIGURE 8 purveys a sliding IV6-to-IV9 chord pattern beloved by the likes of Johnny Moore (who played with Charles Brown in the 1940s) and T-Bone Walker. 249 8 94% Approve. A quick run through these shapes will help wake up our hands and minds. To finish off my top 5 blues guitar riffs, here is the classic T-Bone intro to ‘Stormy Monday’. Depending on your current level of ability, you may or may not find these licks super-easy, but with a bit of practice they should provide a relatively achievable way of getting a bit of speed into your playing. Let’s check ’em out! guitar – Aberdeen by Della Mae YOUTUBE. Place your slide on your third or fourth finger and aim directly over the fret you're playing (not behind it). Okay, so that’s enough chit chat, let’s get started with these Licks. Combining binary and ternary rhythms is one of the skills that will enrich your phrasing skills remarkably. on countless tunes, including Please Love Me, and appropriated globally by blues merchants everywhere. Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. In some ways, you are getting 2 lessons in one. It’s important that you don’t start the lick right away on the first beat because it is syncopated. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. In beat two you have to make use of a triplet rhythm so you play three notes here. The quarter-note bend that begins each beat imparts an elastic feel that is quite captivating. guitar – 12 Bar Blues in E – with jazz chords. Additional songs include All the Love I Miss Loving, As the Years Go Passing By, How Long Blues, Hesitation Blues, Corrine Corrina and Stagerlee. You must gain the knowledge of the scale where the lick is derived from. Take your short blues licks and connect them into longer flowing phrases that extend beyond the box pattern. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. 3 (CD included) (Jazz… by … This last lick (FIGURE 15), probably has its roots in the work of B.B. Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. Playing the exact right notes at the exact right time so they fit the underlying chords is a very important skill. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. B. All of the licks that we’ll look at here will be presented in the context of an A major blues. Vibrato the root (A) with your index finger like a hummingbird. Pulling out a couple of more traditional licks for the return to E in the next two bars allows a ringing, full sound. Initially this transfer happened by ear but nowadays a lot of people rely on tablature. The second pattern, FIGURE 2, is a reduced version of this same scale, which includes only the root, b3rd, 4th, 5th and b7th. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. FIGURE 7 is the classic Albert King lick. The II-V7-I Progression: The Most Important Musical Sequence in Jazz, Vol. One of most popular Blues rock licks in history is the intro of Eric Clapton’s Layla. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. The lick starts with a Charlie Christian esc diminished lick followed by some punchy 9 th and 13 th chords played with big band type rhythms and appears at the very beginning of the … Each lick is accurately tabbed in PDF and GP6 format. Be Creative, Inspire, and good luck to anybody who uses them, hopefully you find these licks … Start with your ring finger, using it for the full-step bend and the repeat of the root (A). You’ll notice that playing both licks after each other won’t sound that great. From Robert Johnson and Elmore James to Derek Trucks, Gary Clark Jr and Dan Auerbach, slide has long been at the heart of blues. You can learn from the masters. You can drop any of these into a blues-based progression and come out smiling. Whether you look at the blues scale as its own thing or as a minor pentatonic scale with one note added is up to you. Why I sing the blues Well, I've been around a long time I really have paid my dues" - B. A. Let’s check ’em out! You have great sounding licks, the best sound, and playing technique. You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. They are the foundation on which a solid house of blues is built. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. Rocking The Blues Jimmy Dillon is something of a Blues legend and this 3 DVD course will really have you play-ing like the Blues greats. Place your slide on your third or fourth finger and aim directly over the fret you're playing (not behind it). #01: SRV: P1 Flat 5 Slide Starting my new Weekly Blues Lick series is … played this one on Three O’Clock Blues, and it is entirely possible that Eric Clapton learned it from that breakthrough hit. All of the licks that we’ll look at here will be presented in the context of an A major blues. Future US, Inc. 11 West 42nd Street, 15th Floor, BLUES LICKS. The first blues lick to learn on guitar is derived from the famous master blues guitarist Freddy King. It is a copy, that’s no secret: Duane Allman borrowed it from Albert King’s “As The Years Go Passing By” from his 1967 album Born Under a Bad Sign . Luca’s licks really stood out and I really enjoyed learning them. The only addition to the two licks is the note that is indicated with the blue circle. This Version is just to help everyone with a couple licks they can use that sound great. See Issue 2 of GC mag for our inter-view with Jimmy. Remember all of these licks can be moved up or down the fretboard, which means that you can fit them into just about any key. Called “a stark and haunting work”, it is one of Dixon’s best known and most interpreted songs. Enjoy the old-timey feel of these timeless masterpieces. Blues Guitar Solo - learn a long blues guitar solo full of cool blues guitar licks played by Jimi Hendrix, Eric Clapton, Mark Knopfler, B.B. Bend the b7th (G) of the scale to the root (A) with your ring finger, and hold the bend while you add in the b3rd (C) with your pinkie. This simply means that the accent lays in between the beats and you have to start the lick at the upbeat from beat one. Take long licks, short licks, parts of a lick, glue one lick after another, etc. Blues lick 6 is one of those I-IV-I-V7 turnaround blues licks in the spirit of E.C.’s “Sleepy Time Time” moves. To help you take minor blues scales into your lead guitar studies, here are three licks that use this scale over different chords and progressions. Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. B.B. Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit … Here is the music notation and backing track : The first 8 bars use the F minor pentatonic scale, mixed with the major 3rd (bar 3). Analysis Of The Famous Blues Lick’s Theory. bass – Basic Bass Lines and Scales. When you combine the smoothness of the … In a solo you can use all these licks as a base, combining them and using additional notes. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. Once your bag of guitar tricks is filled with these two very famous and important blues licks, it is essential that you start using them in a musical situation such as an improvisation. A. To give you an idea on how this method works, I’ll show you how to combine the two blues licks that we covered in this article. I want to play like that and slow blues is my favorite thing. Analysis Of The Famous Blues Lick’s Rhythm. Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit to the lick. Play the root (A) with your ring finger, crossing over it with your middle finger to access the 5th. King-isms, and this one is no exception. Your solos just sound very "right" to my ears so when I learn your licks it's really something I can use. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. Enjoy the old-timey feel of these timeless masterpieces. Categories: Advanced, Banjo, Intermediate, Skills. so you'll need to have done some work on your bending before having a go at these licks! T-Bone Walker showcased similar hot licks in his Description Blues and Alimony Blues. The bends to the b5th (Eb) and the true blue note (between C and C#) establish a solid blues tonality. Take a look at the video to get a clear hang of the sound of this guitar lick. This Rock Licks course comes complete with three DVDs, and an audio CD with ten full on audio jam tracks. Let’s check ’em out! B Analysis Of The Famous Blues Lick’s Technicality. Yes, many blues and rock licks are cliches, but there’s a good reason for that - they sound so cool that listeners and guitarists want to hear and play them again and again. Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. The Battle of Blue Licks, fought on August 19, 1782, was one of the last battles of the American Revolutionary War.The battle occurred ten months after Lord Cornwallis's surrender at Yorktown, which had effectively ended the war in the east.On a hill next to the Licking River in what is now Robertson County, Kentucky (then Fayette … Use your first finger to minimise string noise. Thank you for signing up to GuitarPlayer. Let’s check ’em out! I’ve picked licks that are rock, blues, folk, pop and Hawaiian in style so there’s something for you no matter which style you’re into. In any form of music, some melodic ideas sound more at a home than others. Take a listen for example to the style of Stevie Ray Vaughan who’s constantly using short cliché blues licks that are glued together to make it really big and powerful. The third pattern, FIGURE 3, commonly called the “B.B. Add to cart. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right … But don’t worry about that for now, if you’re new to blues guitar, then focus on getting the phrasing and the techniques down first. “Steal” what you like, fr… B.B. Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. Our simple lick will help you develop this tricky technique. This collection of 30 licks will inspire you new ideas using the minor pentatonic scale and multiple keys and in multiple tempos. B. SRV is for many people on of the finest blues players of all time and he has loads of awesome licks that are great to steal and work into your own playing. The long A7 at the start sets the stage for the first bar, changing to A minor 7th in the second, introducing a bit of minor … Spend some time listening to and transcribing your favorite guitar solos. 3 Minor Blues Licks. Use your index finger for the b3rd (C) and the bend and vibrato'd major 3rd (C#). Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. bass -walking 12 bar blues in E. guitar – 12 bar blues – 2nd position study. These 5 licks use only notes from the Minor Pentatonic, and incorporate string bending (as most blues licks do!) in addition to the HD video links, you will also get three inspiring minor blues backing tracks for you to develop new solos using the ideas learned in this pack. Try doing the same yourself. The Evolution of Modern Blues 30 lessons from Artur Menezes. In this case you have to use a ‘glue’ in the form of extra notes to create a good end result. Our first lick, FIGURE 4, is a striking opening phrase to be played over a I chord. One advanced and one intermediate. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. How To Use Your Blues Licks During Improvisations. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. Get the latest news, reviews and product advice straight to your inbox. This T-Bone lick is played at the turnaround of a blues progression, and can be used as either an intro or at the end of any verse during a 12 bar blues. Use your first finger to … Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. booklet was designed to coincide with the Learn from the Lick Series – Rock Licks course. guitar – 12 Bar Blues in E – with jazz chords. Freddie King continues this run (FIGURE 14) much like the ones to be found in Torn Down. This chord progression is based around the most important chords Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. FIGURE 16 presents a very straightforward take on our 12 licks. Dig that the root (A), b5th (Eb) and b3rd (C) are right out of the A blues scale, while the 6th (F#) hints at the A Mixolydian mode. Finger like a lot in my playing spend some time listening to and transcribing your favorite guitar solos methodologies! The fingers only my new Weekly blues lick to this one ( FIGURE ). 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