Trusting yourself and trusting that other people are just as interested as you are is a better way to go, and honestly, the person that modeled that for us most is Bjrk. My zine cost 10 cents, I made it on a photocopier at five cents You had better be happy with it. There it was, Drews record and Martins version of the same Were conceptual, not experimental, maybe? [laughs] I think that returns to the question of whether you want to get pleasure out of the process and whether you want to make things because theyre driving you crazy until you complete them. Martin Schmidt: Part of the fun was that it was all made at 99 BPM but you often forget that at times because 198 and 49.5 were fair too. advertising and marketing and media, but at the time it really felt compellingly the case that you could just make things and instantly disseminate them and that there was no barriers, really. Then we take it I was just like, Lets swing away. Audience Member The Rose Has Teeth in the Mouth of a Beast ~ Release by Matmos (see all versions of this release, 3 available) Drew Daniel: Yeah. Maybe its better than the party one. There are certain phrases that keep repeating across the whole album, like a slogan or leitmotif. What is music? If you ever see him interviewed, he is the kind of guy who would appreciate I am going to make a guess about Martins favourite body part and I am going to guess that Martins favorite body part is the back of the neck. Matmos. Robert Wilson - The Life And Death Of Marina Abramovi (2011), A three hour theatre piece that combined opera, drama and performance art - drawing in the talents of Marina Abramovi herself, not to mention music by Antony, William Basinski and Matmos, DD: Theres a really key scene in this play about the performance artist Marina Abramovi living on her own in a flat with her washing machine. If you are a painter, and someone asked you to make a painting not so interesting, are you then a designer? Boom! And thats how we had to do it. Weve only had three hours of sleep. Actually porn music paid pretty well and it was so straightforward to make. Drew Daniel You mentioned Supreme Balloon and it seems like that album was a departure Arguably the highest of all the pair's high concept albums, The Rose Has Teeth features ten tracks dedicated to ten maverick figures from queer history and uses sound sources and musical styles and techniques applicable to the character. taught me a new way of thinking about playing. So I am incredibly grateful to that And we were perfectly happy. It has to really belong for a reason, it has to be there. 6. I think ultimately with The Rose Has Teeth there was an emotional coherence because ultimately a lot of the lives the songs are about have similar arcs and they went to similar emotional places so they do pull together for me even if they go to different places stylistically. Where you cant tell the difference between human fat and a saxophone and water. Drew Daniel We cant wait for interviews!. Schmidt. Drew Daniel: In this case, Its another solution to the problem of how to avoid the trap of self-expression. stuff? They had this thing called the The beats, never simply dancefloor driven nor exercises in youthful ebullience, do not combine a later emb "L. Others talk. sound into another. we had this arrested development thing for like 15 years. cultural capital keeps having these diminishing returns in the form of people not being able to have careers anymore. Fucking amazing. Its not even a matter of mixing. It gives a little more weight to the fact that students are on the record now that the school is closed. You want to have gone to all the trouble of getting snails to interrupt the path of a laser thats aimed at a light sensitive Theremin, but you want the solo played by those snails to actually sound cool. And I could see that Drew, who is maybe more prolific than I am, was going to be restlessly cranking shit out on the laptop all the time. The Soft Pink Truth is Drew Daniel's solo project which, often, versions hardcore punk and black metal tracks in a house or electronic R&B style, serves to ask questions about scene politics in various genres. So I said, Ill do it if you contribute to quality control and tell me when the tracks are ready. Hes always been very good at being straight with musicians. This is an example of something that does not have any associations. Clearly, electronic music has had this bad rep, performatively, of people looking at a laptop. Drew Daniel And the CDs are about encouraging you that you can quit smoking, you really can, its going to work. Because Antony of Antony and the Johnsons did this benefit that was Antony, Cocorosie and Matmos, which was a I guess singer songwriter, acoustic soul-baring music. So I wasnt preparing to have mine on, but this is completely fine. we learned their biography and we re-enacted events in the life, and then we make music out of the sounds generated during the re-enactments of events from their lives. Another will be getting the Kronos Quartet to come to our house and record the string part, and its for a song thats a tribute to Joe Meek. Its weird, I think the narcissism of small differences comes out pretty heavily with me when I think about Nouvelle Vague [alt rock covers rendered in a lounge, bossa nova style]. Martin Schmidt You know, like a lot of different elements are there. That was so the reaction that I wanted! up. Its a function about caring over your details and sweating the details. He was is in this sort of occult industrial band called the IAO Core, which performed at this punk rock space, Gilman Street warehouse. I guess, I just wanted you to talk a little bit about the construction of the album. Martin Schmidt: Wait, wait, so one of the ideas for this record, and it was one of the things I said to the 99 contributors to make whatever they want, but if theres a tempo or, Id also like them to make something using synthetic speech. With the recent album you even had different track listings for the vinyl and CD. She was in charge of that one. Why dont you stop talking in protest? So we spent months making musique concrte, cut up sound edits. sound. Not to sound like fucking Britney Spears or something. We also made various pilgrimages to players of synthesizers, who were able to get performances that we are incapable of doing. In the March of 2004, the pair set up their home studio in the Yerba Buena Center For The Arts gallery in San Francisco for a fortnight. We had to draw the line when we moved there Were like, OK, were going to make this song all out of balloons and whoopee cushions. Go ahead and just roll it. Matmos consisting of Martin Schmidt and Drew Daniel, former San Francisco, California natives that now reside in Baltimore, Maryland. Even a pop star as experimental and open and It was your idea! How rude. If youre listening to Vespertine and listening to a track, perhaps not Go to the school that has the X-5000. Theres a question when you do something like this; are you trying to get your heroes to like you or are you doing something to criticise the scene that theyre from. He was really amazing with that sampler but actually my come-on line to him was like, Have you ever used a computer? Because I had a computer, which was a big deal in 1990 to have something that you could actually record audio onto and edit audio on. So SFAIs links to Matmos are here not just in a class from this year, but people who were our students 14 years ago and have become acclaimed artists themselves. [The school] insisted that I do it, though, so I was like, heres how you put a sound file into it. Fascinating and occasionally bonkers mid-fi sound collage of musique concrte, sound effects, harsh noise, jungle breaks and gross bodily sounds recorded as Drew and Martin were becoming musically and romantically intertwined and then released on cassette. I absolutely feel it right now. Maybe not when Im 39 now. I dont want it to be perceived as this pompous assumption that everyone is going to drop what theyre doing and give me three hours. I kind of look at everyone in the world as material to work with (laughs). About the Author. Its like a Matmos Frankensteins monster. And people would start to come on repeat days just to hang out. We were done with this before it all started. I dont know, in like 1990. Matmos This Is (music: Matmos This Is) I could say the same thing about Illinois. being in charge of the records. Your idea! It flows. Matmos is an experimental electronic music duo originally from San Francisco but now residing in Baltimore. I absolutely feel it right now. It kind of reminded me of hardcore, in the sense that it was pretty ghetto and it wasnt expensive and it wasnt about money and it was sort of autonomous. That doesnt mean that therefore you have to rip your I swear I was kind of alone in that, but thats what I was super into, this late 70s German electronic music, which he had never heard. I could make records by myself, and I do sometimes, but they are not as compelling to me as to what I make with Martin. On 19 October 2016, Matmos was a guest on Unsound 2016; and on 9 May 2015 was a guest on SKYAPNEA. 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